This is a blog created by a world literature instructor at a community college.
Tuesday, November 30, 2010
traveling
Slavery in America

Of all the readings assigned to us throughout the course of the semester, the Narrative of the Life of Frederick Douglass, An American Slave is the story that I liked the most and made the biggest impact. He, like all of the other’s slaves, had no fault or control over his situation. All he knew was the cruelty of the white people whom separated him from his mother and siblings at an early age. What do you do if you don’t know any better, if most of the people like you have the same sad story and those who can enlighten you to the truth and the justice do everything they can to keep you in the darkness and ignorance? Frederick fought; he fought for his freedom, for the privilege of reading what most slaves could not read. In his life, he witnessed many horrible crimes committed against people like him, like when Mr. Gore “raised his musket to [Demby’s] face, taking deadly aim at his standing victim, and in an instant poor Demby was no more.” (Douglass 933). Demby had to die so that other slaves would not become unmanageable like him. However, I think that the real reason why Demby died was because Mr. Gore liked to feel superior and way too powerful compared to the slaves, and what better way to do so than ending their lives. Another thing that I find amazing about his story is the way he describes the conditions in which he lived in as a young kid, “The allowance of the slave children was given to their mothers, or the old women having the care of them. The children unable to work in the field had neither shoes, stockings, jackets, nor trousers, given to then; their clothing consisted of two coarse linen shirts per day. When this failed them, they went naked until the next allowance-day.” (Douglass 927). I think Frederick’s story is one to be remembered and admired.
It is Finished!!
Poetic Justice In The Flesh

After all of the literature that we have read as a class in World Literature this fall of 2010, I find that when a poet reads their own work, a unique life is given to their poetry. As I listened to T.S. Eliot read his poetry, I realized that the poet with their poetry is like a mother with her babies. In reading Sandy Longhorn’s poem Psalm For The Color Red, I guessed that it was written in the 20th century: maybe from the Enlightenment or Realism era. In Longhorn’s Etude a shadow of old timey Realism/Romantic is hinted at, so I was a little surprised. While examining the lines of her free verse writing style in Psalm For The Color Red, I was drawn into the life of her vibrant spirit as she read, “What do you do with the boy who never learns…” and goes on to say “who puts his hand on the burner because the explosion of pain is the color red,” (Longhorn 53). Can you not just visualize the little boy who seems to be an unhappy kid, not doing the usual happy, busy kid stuff? Then to get the insight from whence these lines originated, was especially nice to know: you don’t always have a chance to quiz the poet. Etude was more of a yearning for freedom for the daughter and a not wanting to let go for the mother. Longhorn’s use of nature’s elements shows the flow of gracefulness of the dancing girl and this is expressed by stating, “She walked with that much grace. Some days I watched her test the law of gravity—the wind her patient lover” (Longhorn 52). Here is a vivid picture of a girl who is graceful and light on her feet like a schooled ballerina. After hearing the poem read aloud by Mrs. Longhorn it made much more sense. This was one of my favorite blogs, I saved the best for last!
LITERATURE
The Readings of a World Lit.Student
As Free As The Wind
In Sandy Longhorn’s Etude, she creates a captivating picture of the nature of freedom, and the loss that is felt in it’s absence. In Etude, Longhorn uses learning to dance as an act of coming of age for the daughter in the poem, and writes “After my daughter learned to dance, I called her Stepping Water” (Longhorn). In Longhorn’s poem, dancing is representative of beauty and freedom, though we are also shown how that freedom causes fear for her mother. We can also see the reaction that some people have when faced with the loss that must accompany freedom, when Longhorn writes “I only did what any mother would do” (Longhorn). By it’s very nature freedom means to be free of someone else’s rule, and in this case Longhorn is writing of both the freedom that the daughter discovers, and the accompanying loss of power that her mother experiences at the same time. I think this poem does a good job of showing both sides of freedom, and helps us to understand that while freedom is a beautiful thing, it does come with a measure of responsibility to use that freedom wisely and with consideration for others. I found it interesting how this ties into what we have been studying, as we try and determine who has the power in writings. While the mother had control, and the ability to tie her daughter down with coins and gems, it was a very fragile power, and largely dependent on her daughter’s submission. Ultimately when the daughter chooses to be free, then she flies away and experiences the freedom that she sought.
The Lake Isle Of Innisfree - W. B. Yeats
Monday, November 29, 2010
Wednesday, November 24, 2010
When You Are Old

I have always liked poetry because it sounded pretty, it rhymed, and poems many times included words that I had to look up because I didn’t know what they meant. It wasn’t until this class that I’m learning how to appreciate poetry and what to look for when I’m reading a poem. I’ve also learned that every writer has his own style, and it is influenced by his experiences in life; where he was at the moment he wrote the poem, where he comes from, what social class he belonged at the moment they wrote the poem, his marriage statues etc. William Butler Yeats was a very interesting 20th century writer. He used allusive imagery and large symbolic structures in his writings. Most of his poems in this book contained two or more paragraphs, each with four or more lines and were very well structured. His tone in the poem When You Are Old is kind of dismal. This poem talks about life in general, how when you were young, “many loved your moments of glad and grace,” (Yeats 1703), and when you are old, “love fled and paced upon the mountains overhead and hid his face amid a crowd of stars.” (Yeats 1703). I think the first example makes the comparison that when you are young, you can do many different things; like having friends, go out and everyone likes you because you don’t depend on them. On the other hand, when you are old, even your own family abandons you because they don’t want to take care of an old person.
Tuesday, November 23, 2010

Pisssst!...., Hey you… you want to hear something that THEY want tell you. Come closer, closer stop! (Clearing my throat) this is going to be shocking, but here goes. They will be alright without you, stupid. Killing yourself to improve someone else’s way of life isn’t helping them it’s hurting them. I know it’s hitting you like a shock from a taser but take heed. So, even after you have run yourself into the ground, carrying their weight and yours, they will still need help from someone else. “If I weren’t holding back because of my parents, I would have given notice long ago” (Kafka 2000). The truth of the matter is that if we neglect the things we want to do to improve everyone else life it’s not helping neither you nor them. Instead of being a helper and provider you become a prop or a handicapper.
“Well, I haven’t abandoned all hope once I’ve saved enough to pay off my parents’ debt to him-that should take another five or six years- I’ll go through with it no matter what” (Kafka 2000). Not only was George hurting his parents by baling them out. He was using the fact that he’s helping his parents to defer his own dreams. Could that be fear of advancement? I think so.. if we let our fears keep us ion or comfort zone how can we advance.
My favorite part of this reading is when the family leaves like “oh well now sports.” “ Leaning back comfortably in their seats, they discussed their future prospects and concluded that, upon closer perused, these were anything but bad; for while they had never actually asked one another for any details, their jobs were all exceedingly advantageous and also promising” (Kafka 2030). I think Kafka proves that if you pull the crutch from under them people will still make due.
I know you are woundering, "what is that a picture of." a couple of years ago i went to this Taser training class not knowing I was going to be the test dummy. Here's the video..... http://www.youtube.com/watch?v=-zUJjzOYe98
Thoughts on “When You Are Old”
There were a few odd things about this poem that struck me as I read it, and I have yet to figure out. The poem follows an off-set rhyme style of A B B A, with three stanzas and a steady tempo, but what struck me the most about it was the choice of words and tone, which seem to almost contradict one another in a few places. On the first line of the the second stanza, Yeats sets a dismal and almost melancholy tone as he writes, “How many loved your moments of glad grace” (Yeats 1703). However later in the poem in the second stanza, he reverses that tone when he writes that “But one man loved the pilgrim soul in you” (Yeats 1703). The contrast between these two lines seems quite severe for them to come from the same stanza, as the first one (and indeed the first stanza as well), seem to indicate lost chances and border on hopelessness, yet the third line of the second stanza seems to stand out as a positive note in an otherwise sad story. The speaker’s word choice also seems to stand out in the last stanza, where love is capitalized in the middle of a sentence, and love is given a male identity. It seems that the poem is written about a woman, but even so it just struck me as odd that love (which is normally considered feminine), was described as male, and capitalized out of place.
Etude
"What Teachers Make," by TAYLOR MALI
I really liked this one better, but I figured everyone else would post it.
"I Could Be a Poet," by TAYLOR MALI
I tried to add this to my Post, But I had a hard time figuring it out. Hope this works!
Really? Did he have to turn into a Dung Beatle?
Meet the Author
Man or Beetle: Other People's #%@!

And I thought Swift’s Gulliver’s Travels was a wildly over exaggerated way of highlighting and pin-pointing certain characteristics of what we call ‘human nature’ and civilization as a whole….But to use a dung beetle as a personification of the many different forms of degradation experienced by Gregor is magnificently brilliant. Kafka’s illustrious illustration of Gregor as the sole bread winner of the family after his father’s business went belly-up is shown rather vividly as it states, “They had simply grown accustomed to this, both the family and Gregor; they accepted the money gratefully…” (Kafka 2013). A great deal of dependence and co-dependence is depicted here as well as the wrong reasons for the promotional stature of Gregor’s occupational aspects. Yes, I would have to expound on the fact that Gregor seems to have been a very smart and hard working young man to have achieved so much so rapidly; his overnight like promotion from clerk to traveling salesman showed his diligence at work and the conscientiousness of supporting his family. Though Gregor’s earnings was all but given to the family’s cause the ripple effect of this and the stress that he was experiencing from living on the road as a traveling salesman had taken its toll on his physical and mental health. This adverse reaction is seen in Gregor’s expression:
“Oh, God,” he thought, “what a strenuous profession I’ve picked! Day in, day out on the road. It’s a lot more stressful than the work in the home office, and along with everything else I also have to put up with these agonies of traveling—worrying about making trains, having bad, irregular meals, meeting new people all the time, but never forming any lasting friendships that mellow into anything intimate. To hell with it all!” (Kafka 2000).
Gregor has had enough of swallowing the human bile of his job and probably just a little overwhelmed with his life and of the added pressures of his financial gratuities to his family obligations. Tired of rolling others dung.
The Poet
Wednesday, November 17, 2010
Gregor and his Condition
VULNERABLE
Tuesday, November 16, 2010
A better day
From Realization to Recognition

For the good or the bad?

For the Good or the Bad?
In the story of Metamorphosis by Franz Kafka, we can see that there are some good point within this story along with the bad points. While Gregor starts the story out about being a dung beetle we can see that he lives off of the excitement of his family, and trying to take care of them as much as he can until the change of life captures him. He tried to care for his family by stating this “ If I weren’t holding b back because of my parents, I would have given notice long ago” (2000). We can see that he was taking care of his family by working all them time,which people would call him a work workaholic. In one way this could be for the good, but when Gregor because ill it turns to the bad. We can see that his family became stronger by going back to work so they can be more dependent like their son. When he dies as it is stated here, “ Gregor's body was utterly flat and dry; they realized this only now when it was no longer raised on its tiny legs and nothing else diverted their eyes.” (2029). For us the be able to read the story we can see that Gregor's death was for the better, because it made his family realized that they could finally be able to take care and provide for the family. So can we say it is for the best? Yes we can say that.
Ewwwww! Cannibalism!
When Henrik Ibsen, set out to write the play "Hedda Gabler", one can't be sure he didn't mean to make Hedda into a villain. One may not like her, but really one can't blame her for being a victim of her society. If one looks close they can see how her up bring; such as her education and lack of a mother figure impacted her. Along with her environment in which she was exposed, this helps form her entire outlook on life. As one reads the play, one can feel oneself become deeply engrossed in the actuality of each characters emotional baggage. While one may not agree with what Hedda is feeling, she is a very strong female. Who truly wants to have her cake and eat it to. While Hedda does use her sexuality to control both men and women, is this not common place?However this is more accepted now a days, but can one argue that
men take advantage of women, also. Men often use power to get there way, take Judge Brack for example. Once he has Hedda right were he wants her he demonstrates his power over her; "[w]ell luckily there's no danger as long as I hold my tongue" (1517). This leaves Hedda with weak and exposed. Once she realizes she this she proclaims; "[i]n other words, I'm in your power, Judge.From now on, you've got your hold over me" (1517). While both are used to playing cat and mouse games neither one wins the battle. Judge Brack ends up alone, and he is faced with the cold hard fact that he let Hedda elude the law. This leaves Hedda with but a few options, forcing her to become irrational. Therefore she chooses to commit suicide. While this may seem fitting for the play. This outcome can be seen as shocking for some. They may have been expecting rainbows and butterflies. However one should have know better.
Monday, November 15, 2010
How Mad Was He or Was He Mad At All
Friday, November 12, 2010
An interesting video
Society: 1 Individuality: 0
Lu Xun’s Diary of a Madman does an excellent job of conveying the fear that must have gone along with acting outside of the social norm in the restrictive Chinese culture of the early 1900’s. In a lot of ways I think this piece actually mirrors Ibsen’s Hedda Gabler in that it is about conformity, and the suppression of individuality. Where Hedda was at odds with her gender’s accepted place in society, and her desire to break away from that place, The Madman is at odds with how society eats individuals; unlike Hedda however, The Madman makes a dramatic transition through the story. Early on in his diary The Madman writes, “Even though I don’t eat human flesh, I still have a lot more courage than those who do.” (Xun 1923), as he fights to assert his independence from society and it’s customs. I think that this passage is important because by it’s tone it is putting down society for ‘eating people’, but at the same time his tone indicates some level of acceptance of the way society works. I think that represents the turning point for The Madman, as he begins to realize that despite his individuality he is still a part of society whether he likes it or not. Towards the end of the story, The Madman writes “Although I wasn’t aware of it in the beginning, now that I know I’m someone with four thousand years’ experience of cannibalism behind me, how hard it is to look real human beings in the eye” (Xun 1929), indicating his acceptance that while he disliked society, he was still a part of it, and indeed still responsible for his own part in it. Diary of a Madman seems to bridge the gap between Romanticism and Enlightenment, presenting a compromise of sorts between Society and Individuality, and recognizing both as having merit.
Wednesday, November 10, 2010
The Manipulator
Hedda, master of manipulation...
Tuesday, November 9, 2010
Hedda is under control
Control This
To Particular For Her Own Good
Monday, November 8, 2010
A Woman of Grace or Disgrace?

Henrik Ibsen’s play Hedda Gabler reminded me somewhat of Willie Loman in Death of a Salesman, a play that I previously read back when I was taking my English Composition II class. In mentioning the similarities of the plays with the suicidal deaths and the fact that I find it such a display of cowardice, I perceive that the victims are weak and mentally unstable. Hedda, contrary to what one may think, is not a heroine; she is depicted as a foolishly despicable and miserably unhappily married woman who has lost control of the situation in which she has maneuvered herself into. She visualizes and thinks that to take one’s own life is a noble act of selflessness when in fact most of society views it as a selfish deed. She conveys her thoughts and feelings to Eilert Loevborg as she assists him with one of her father’s pistols and states “Here! Use it now!,” as he places the pistol in his pocket Hedda exclaims, “Do it beautifully, Eilert Loevborg. Only promise me that!” (Ibsen 1508). Here as a vivid picture of a truly deranged woman that has lost control of her mental facilities. She has no idea of what it means to live on life’s terms as she lives her life by her own egotistical devices. Hedda is at a loss for words when Brack whispers how and where Loevborg really dies with the impression that if she doesn’t want it publicized that it was her pistol then she will do as the Judge wants and says. This is revealed when Brack says, “Well, luckily there’s no danger as long as I hold my tongue,” then he goes on with his implications and in an undertone murmurs “Hedda, my dearest— believe me —I will not abuse my position,” when Hedda becomes aware of the power that Brack is threatening to use over her he casually states that “[m]ost people resign themselves to the inevitable, sooner or later” (Ibsen 1517). She realizes that when she refuses to live with the Judge’s blackmail or the scandal of it being one of the pistols to her set, she decides to do beautifully what Loevborg couldn’t: shoot herself in the head. Hedda chose death over blackmail and /or scandal and thought that she was displaying an act of bravery and grace when in fact it was just the opposite and deemed a disgraceful display of shamefulness.
Walt Whitman vs Emily Dickinson


Walt Whitman vs Emily Dickinson
As we know that both of them are romantic time period writers, we can see that they both have different styles of showing that. In Walt Whitman we can see that he talks about everyone else but he relates back to himself a lot in the poem Song of Myself. One of the examples where it shows where he is talking about himself would be “I loaf and invite my soul./ I lean and loafe at my ease overview a spear of summer grass” (Whitman 982). Which we can see that indeed that he does relate back to himself throughout his poem which would be in the Romantic time because of the individuality. One other example out of his poem would be where he repeats “For Me” (Whitman 983). Now as for Emily we can see that she uses a insiders perspective other than expressing herself. We can see that she does the individuality speaking and relates back to someone. We can see that here in this line “I died for Beauty—but was scarce” (Dickinson 1053). One other time would be “'For Beauty. I replied.'” (1053). Both of the Poets can write with different styles as of Whitman is more of a freelance writer while Dickinson is more of an personal writer. We can see that both of them write in the Romantic time period. Even thought both writers have the style of writing that they choose we can honeslty say that both can belong in the Romantic time period of writing.
Whitman's Song of Myself


In Whitman’s Song of Myself, section 7, he presents a speaker who is open minded and accepting, but at the same time the speaker is innocent and naive of evil. The first stanza sets an interesting tone for the rest of the section, as the speaker says, “Has anyone supposed it lucky to be born? I hasten to inform him or her it is just as lucky to die, and I know it” (Whitman 983). This statement is playing on the audience’s preconception of life and death, and asserts a connection between life and death; presenting them as identical events in the course of life. In the second stanza the speaker again associates life and death when he says, “I pass death with the dying and birth with the new-washed babe” (Whitman 983), and again tries to bend the listener to acceptance of death and it’s union with life.
I’d like to contrast that perspective of utmost optimism and acceptance with the writings of Frederick Douglass. In Douglass’s Narrative Of The Life, he writes of one particular incident in his life that “It was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass. It was a most terrible spectacle. I wish I could commit to paper the feelings with which I beheld it” (Douglass 925). I think the differences in view between Whitman and Douglass are extreme to say the least, with Whitman writing of acceptance and even writing, “Undrape! you are not guilty to me . . . “ (Whitman 983). Whitman’s writings, while inspirational and well written, show a level of innocence that is separate, and perhaps ignorant of the cruel and evil nature that some people possess, as was demonstrated in Douglass’s account.
Thursday, November 4, 2010
The Guiles of a Woman

Women are most known for their cunning and manipulative ways especially when they are upset or displeased about a matter. They have been known to adjust any situation to placate their emotional circumstance. Hedda was born and raised as a snooty military brat that was catered to by her father, General Gabler. When she was old enough to marry, she married for convenience instead of love. With these facts in place we can see that she was a woman who was all about self. When she received Mrs. Elvsted’s visit and became aware that the woman was involve with her former suitor, she desires to disrupt their relationship by slyly extracting pertinent information about Eilert Loevborg and his manuscript from Mrs. Elvsted. This cunning disguise of friendship is shown as Hedda states “Well, now we must try to drift together again. Now listen. When we were at school we used to call each other by our Christian names –” (Ibsen 1475). This statement was a bogus recollection of high school friendship that Mrs. Elvsted had no memory of; she only remembers the ugly displays of mischief that were carried out by Hedda. Yet she goes on to share with her illusory friend how she has left her husband and has intentions of finding and living with Eilert Loevborg. Mrs. Elvsted unknowingly reveals her deep feelings for him by exclaiming “I only know that I must live wherever Eilert Loevborg is. If I am to go on living” (Ibsen 1477). With this declaration of passion expressed about Loevborg, Hedda is then conjuring a way to insure that further association between them will not occur.
Wednesday, November 3, 2010
Tuesday, November 2, 2010
A Woman of Discontent
“Your living is determined not so much by what life brings to you as by the attitude you bring to life; not so much by what happens to you as by the way your mind looks at what happens.” -Kahlil Gibran

Surprise!! You are at the Malcom Scott Oscar award program. You have gone out and purchased the best fashion for our red carpet, (on me of course). You have cleared your busy schedule for the weekend to take part in our exclusive ball and after party. You also have front row seats to the concert featuring Prince, Jay-z and Tim McGrath featuring Faith Hill. You arrive with one question in mind “Who will be this year Enlightenment Period Character of the Year. Maybe you have your own person in mind and maybe you don’t care you’re just waiting on the after party and the open bar. Wait no longer its time.
After all our readings about the Enlightenment Period and the characters, some I understood their actions while others I questioned. I‘ve decided to dedicate my entire blog to this one character. This one guy doing the whole reading if something could go wrong it did. Now a slight hint to thicken the tension “Isn’t the devil at the root of the whole thing” (please forgive me for improper citing, don’t want to give it away just yet). He’s also my pick for the million dollar prize on Survivor because he has survived several knife fights, a lynching, an earthquake, and even Boat wreck. Now if that’s not a tuff guy who is? This young man stayed optimistic even though his friends took sides their respected sides on the philosophy he had been taught all his life. “Pangloss still maintained that everything was for the best, but Jacques didn’t agree with them” (ok this is the last one).
Without further a due, the winner of the 2010 character of the year (drum roll please) Candide!!!! You guessed it Candide was voted the most popular character, because he started out as a knuckle head that believed every word he was told “It is clear , said he that things cannot be otherwise that they are, for since everything is made to serve an end, everything necessarily serves the best end” (Voltaire 520). To a man who achieved the right to chose what he believed and even took an opportunity to educate the educator. “That was very well put, said Candide, but we must cultivate our garden” (Voltaire 580). Good for you Candide.
Monday, November 1, 2010
Hope of Freedom
After reading Henrik Ibsen’s Hedda Gabler I find myself disagreeing with the introduction. The introduction portrays Hedda as a vicious and malicious woman, however I believe that she was only responding to the circumstances others placed her in; not acting out of malice. We’re given a picture of Hedda as being aloof and haughty, but what is only hinted at is the manipulative nature of the people who surround her.
All of the men in the story are obsessed with Hedda, even to the point of self destruction. Judge Brack actively pursues her, despite her turning down his advances, and Eilert is equally obsessed, and desires her greatly. Even her husband is so focused on her that he ignores his growing debt, and overlooks her faults to avoid confrontation; but none of them truly loves Hedda, and they only seek to control her. Where the introduction paints Hedda as being malicious, I think that she simply felt trapped by all of the people trying to control her life, and responded in the only way that she knew how; which was to try and control them as well. We’re shown how Judge Brack desires to be Hedda’s “. . . trusted friend . . . ” (Ibsen 1484), and gives Hedda strong indications of his true desire. However it is not until he gains power over Hedda by blackmail. We’re also shown how Eilert tries to manipulate her into giving herself to him when he says “Didn’t you love me either? Not - just a little?” (Ibsen 1493), and later when he tells her “Yes Hedda. You’re a coward at heart” (Ibsen 1494). Her husband George also tries to manipulate her, and in essence bribes her to become his wife by promising her the freedoms of social life, but when his career plans fall through, he immediately reneges on his promises.
Hedda wanted freedom, from the men who constantly hounded her, and from the society pressuring her to be something she was not. When Judge Brack blackmails her and she realized that she would never be free, and that she was “Dependent on [his] will, and [his] demands. Not free. Still not free!” (Ibsen 1517), Hedda took the only path that she saw remaining; that of suicide. In doing so she did what she envisioned for Eilert, and had “. . . the courage and the will to rise from the feast of life so early” (Ibsen 1515), and found her freedom.
Slavery vs. Romantic
In the reading by Fredrick Douglass called the Narrative of the Life, slavery was brought up a lot. In my opinion yes slavery was bad but that is the way the life was back then. Can we say that slavery is in the Romantic time? Well as stated here, “he would at times seem to take great pleasure in whipping a slave” (925). With this being pointed out we could say that yes it is talking about one slave, but he doesn’t mention on exact slave but he does talk about the individual group among with the rest of the world. So in a way we can say that slave in this time period was about of the Romantic period but was also apart of the Enlightenment, but it was opening the door up for the new society out reach. One other part of his reading would be, “ I told him as well as I could, for I scarce had strength to speak. He then gave me a savage kick in the side, and told me to get up” ( 953). We can see once again he is talking to one single person within a group. For Douglass to be able to pull some of the enlightenment period into the romantic period is great. What I mean by that is he takes a group of people, which are the slaves, but turns it into one person a single slave being taken advantage of when he is doing the work that he was told to do by his master. So yes Slavery would be apart of the Romantic period.

