This is a blog created by a world literature instructor at a community college.
Tuesday, November 30, 2010
traveling
Slavery in America

Of all the readings assigned to us throughout the course of the semester, the Narrative of the Life of Frederick Douglass, An American Slave is the story that I liked the most and made the biggest impact. He, like all of the other’s slaves, had no fault or control over his situation. All he knew was the cruelty of the white people whom separated him from his mother and siblings at an early age. What do you do if you don’t know any better, if most of the people like you have the same sad story and those who can enlighten you to the truth and the justice do everything they can to keep you in the darkness and ignorance? Frederick fought; he fought for his freedom, for the privilege of reading what most slaves could not read. In his life, he witnessed many horrible crimes committed against people like him, like when Mr. Gore “raised his musket to [Demby’s] face, taking deadly aim at his standing victim, and in an instant poor Demby was no more.” (Douglass 933). Demby had to die so that other slaves would not become unmanageable like him. However, I think that the real reason why Demby died was because Mr. Gore liked to feel superior and way too powerful compared to the slaves, and what better way to do so than ending their lives. Another thing that I find amazing about his story is the way he describes the conditions in which he lived in as a young kid, “The allowance of the slave children was given to their mothers, or the old women having the care of them. The children unable to work in the field had neither shoes, stockings, jackets, nor trousers, given to then; their clothing consisted of two coarse linen shirts per day. When this failed them, they went naked until the next allowance-day.” (Douglass 927). I think Frederick’s story is one to be remembered and admired.
It is Finished!!
Poetic Justice In The Flesh

After all of the literature that we have read as a class in World Literature this fall of 2010, I find that when a poet reads their own work, a unique life is given to their poetry. As I listened to T.S. Eliot read his poetry, I realized that the poet with their poetry is like a mother with her babies. In reading Sandy Longhorn’s poem Psalm For The Color Red, I guessed that it was written in the 20th century: maybe from the Enlightenment or Realism era. In Longhorn’s Etude a shadow of old timey Realism/Romantic is hinted at, so I was a little surprised. While examining the lines of her free verse writing style in Psalm For The Color Red, I was drawn into the life of her vibrant spirit as she read, “What do you do with the boy who never learns…” and goes on to say “who puts his hand on the burner because the explosion of pain is the color red,” (Longhorn 53). Can you not just visualize the little boy who seems to be an unhappy kid, not doing the usual happy, busy kid stuff? Then to get the insight from whence these lines originated, was especially nice to know: you don’t always have a chance to quiz the poet. Etude was more of a yearning for freedom for the daughter and a not wanting to let go for the mother. Longhorn’s use of nature’s elements shows the flow of gracefulness of the dancing girl and this is expressed by stating, “She walked with that much grace. Some days I watched her test the law of gravity—the wind her patient lover” (Longhorn 52). Here is a vivid picture of a girl who is graceful and light on her feet like a schooled ballerina. After hearing the poem read aloud by Mrs. Longhorn it made much more sense. This was one of my favorite blogs, I saved the best for last!
LITERATURE
The Readings of a World Lit.Student
As Free As The Wind
In Sandy Longhorn’s Etude, she creates a captivating picture of the nature of freedom, and the loss that is felt in it’s absence. In Etude, Longhorn uses learning to dance as an act of coming of age for the daughter in the poem, and writes “After my daughter learned to dance, I called her Stepping Water” (Longhorn). In Longhorn’s poem, dancing is representative of beauty and freedom, though we are also shown how that freedom causes fear for her mother. We can also see the reaction that some people have when faced with the loss that must accompany freedom, when Longhorn writes “I only did what any mother would do” (Longhorn). By it’s very nature freedom means to be free of someone else’s rule, and in this case Longhorn is writing of both the freedom that the daughter discovers, and the accompanying loss of power that her mother experiences at the same time. I think this poem does a good job of showing both sides of freedom, and helps us to understand that while freedom is a beautiful thing, it does come with a measure of responsibility to use that freedom wisely and with consideration for others. I found it interesting how this ties into what we have been studying, as we try and determine who has the power in writings. While the mother had control, and the ability to tie her daughter down with coins and gems, it was a very fragile power, and largely dependent on her daughter’s submission. Ultimately when the daughter chooses to be free, then she flies away and experiences the freedom that she sought.
The Lake Isle Of Innisfree - W. B. Yeats
Monday, November 29, 2010
Wednesday, November 24, 2010
When You Are Old

I have always liked poetry because it sounded pretty, it rhymed, and poems many times included words that I had to look up because I didn’t know what they meant. It wasn’t until this class that I’m learning how to appreciate poetry and what to look for when I’m reading a poem. I’ve also learned that every writer has his own style, and it is influenced by his experiences in life; where he was at the moment he wrote the poem, where he comes from, what social class he belonged at the moment they wrote the poem, his marriage statues etc. William Butler Yeats was a very interesting 20th century writer. He used allusive imagery and large symbolic structures in his writings. Most of his poems in this book contained two or more paragraphs, each with four or more lines and were very well structured. His tone in the poem When You Are Old is kind of dismal. This poem talks about life in general, how when you were young, “many loved your moments of glad and grace,” (Yeats 1703), and when you are old, “love fled and paced upon the mountains overhead and hid his face amid a crowd of stars.” (Yeats 1703). I think the first example makes the comparison that when you are young, you can do many different things; like having friends, go out and everyone likes you because you don’t depend on them. On the other hand, when you are old, even your own family abandons you because they don’t want to take care of an old person.
Tuesday, November 23, 2010

Pisssst!...., Hey you… you want to hear something that THEY want tell you. Come closer, closer stop! (Clearing my throat) this is going to be shocking, but here goes. They will be alright without you, stupid. Killing yourself to improve someone else’s way of life isn’t helping them it’s hurting them. I know it’s hitting you like a shock from a taser but take heed. So, even after you have run yourself into the ground, carrying their weight and yours, they will still need help from someone else. “If I weren’t holding back because of my parents, I would have given notice long ago” (Kafka 2000). The truth of the matter is that if we neglect the things we want to do to improve everyone else life it’s not helping neither you nor them. Instead of being a helper and provider you become a prop or a handicapper.
“Well, I haven’t abandoned all hope once I’ve saved enough to pay off my parents’ debt to him-that should take another five or six years- I’ll go through with it no matter what” (Kafka 2000). Not only was George hurting his parents by baling them out. He was using the fact that he’s helping his parents to defer his own dreams. Could that be fear of advancement? I think so.. if we let our fears keep us ion or comfort zone how can we advance.
My favorite part of this reading is when the family leaves like “oh well now sports.” “ Leaning back comfortably in their seats, they discussed their future prospects and concluded that, upon closer perused, these were anything but bad; for while they had never actually asked one another for any details, their jobs were all exceedingly advantageous and also promising” (Kafka 2030). I think Kafka proves that if you pull the crutch from under them people will still make due.
I know you are woundering, "what is that a picture of." a couple of years ago i went to this Taser training class not knowing I was going to be the test dummy. Here's the video..... http://www.youtube.com/watch?v=-zUJjzOYe98
Thoughts on “When You Are Old”
There were a few odd things about this poem that struck me as I read it, and I have yet to figure out. The poem follows an off-set rhyme style of A B B A, with three stanzas and a steady tempo, but what struck me the most about it was the choice of words and tone, which seem to almost contradict one another in a few places. On the first line of the the second stanza, Yeats sets a dismal and almost melancholy tone as he writes, “How many loved your moments of glad grace” (Yeats 1703). However later in the poem in the second stanza, he reverses that tone when he writes that “But one man loved the pilgrim soul in you” (Yeats 1703). The contrast between these two lines seems quite severe for them to come from the same stanza, as the first one (and indeed the first stanza as well), seem to indicate lost chances and border on hopelessness, yet the third line of the second stanza seems to stand out as a positive note in an otherwise sad story. The speaker’s word choice also seems to stand out in the last stanza, where love is capitalized in the middle of a sentence, and love is given a male identity. It seems that the poem is written about a woman, but even so it just struck me as odd that love (which is normally considered feminine), was described as male, and capitalized out of place.

